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Painters and Sculptors - Usage of Technical Terms

 
     
 

 

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What Do Cartoons And Murals Have In Common?

The first artists were the cavemen who drew pictures on the walls of caves. Colored drawings discovered in caves and believed to have been done several thousand years ago have shown evidence that the cavemen knew the secret of making colors and more importantly, how to use them.  These colors were rich and bright and had been prepared by mixing earth ochres (iron oxide of different shades) and manganese with grease. The cavemen probably used powdered color mixed with animal fat to be used as crayons and used animal’s hair as paint brushes.

Today, there are technical terms that we use. A cartoon and a mural are such terms. Let’s take a quick run through some of the “technical” terms that belong to the world of painters and sculptors. 

 

To begin with the cartoon, a cartoon is a full sized preparatory drawing for a painting and a mural is a decorative painting applied directly to a wall. An intaglio is a gem with carving sunk into the surface, as in a signet ring. A diptych is a two paneled hinged altarpiece, while a triptych is a three paneled hinged altarpiece. 

The study of an arrangement of inanimate objects such as fruits or flowers, is referred to as still life. Plastic in a painting conveys a sculptured effect through the model and lines of the figures. Gouache is an opaque water color paint in which the paint colors are mixed with a white base, whereas impasto is a thickly applied oil paint. 

Tempera was a kind of paint widely used until the invention of oil paints in the fifteenth century. It is a powdered paint mixed or “tempered” with egg yolk and thinned with water.  

Engraving involves drawing by means of lines cut on blocks or plates of metal or wood. The lines retain the ink, which is spread over the surface before printing. Paintings are traditionally reproduced in this way. Other forms of engraving include drypoint, lino-cut, wood cut and etching. Etching is a form of engraving, in which a resin coated copper plate is drawn on with a needle and then dipped in acid. When this is done, the acid eats into the metal through the lines of the resin. Thereafter, the printing process is the same as in line engraving. Mezzotint is an engraving process popular during the eighteenth century. Here the plate is first scored with a network of dots that are later smoothened out to give a variety of tonal effects.

Aquatint is a form of etching in which varying degrees of tones are produced by dipping the plate repeatedly in acid, covering different parts of the plate with varnish before dipping. A chiaroscuro refers to strong contrasts of light and shade in a painting.

Picture reproduced from a design marked out with an oily crayon on a flat stone is called a lithograph. When the design is printed, the stone is dampened. The greasy lines absorb ink and wet areas repel it.

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